07.01.18

Today On Middle Fiskville Road (Again) : Inspire Pro’s “BATTLE DREAMS”

Posted in Austin, Professional Wrestling at 12:11 pm by

Even if it weren’t for the hiatus of the free-spending Wrestle Circus, Austin’s Inspire Pro would likely be atop the pile of Central Texas’ independent wrestling promotions, partially due to the familial atmosphere, long-range storylines (w/ a smattering of big name outta town talent flown in, today’s Austin debut of Kris Wolf being just the latest example), but it’s really the seasoned popcorn at AFS that seals the deal.

OK, that’s not really true.  The seasoned popcorn is alright, but between the creative verve of the company’s bookers and talent that wouldn’t know phone-it-in if spotted them the HONE, this remains the regions finest live entertainment spectacle by a wide margin.  If you can’t get in today (there’s a handful of tickets available at the door), the full card will be live streamed via Heel/Face’s Twitch channel.

03.25.18

Today On Middle Fiskville Road : Inspire Pro’s War O’ Clock High

Posted in Austin, Professional Wrestling at 3:49 pm by

Very very pleased to sponsor this important cultural event — and that’s in spite of Joey Janela having ripped off Carson Craig’s gimmick.

Now Available For Your Download/Streaming Pleasure – ‘Give Us A Good One’

Posted in podcasts at 11:10 am by

With the exception of food blogging and LiveJournal, there’s no medium closer to my heart than podcasting — thats why they call me, “The Podfather”. So when Mike Garrido and Orville Neeley announced plans to launch what would soon become the podcast world’s most provocative new series, “Give Us A Good One”, I politely requested…no, I DEMANDED, they bump Christian Bland and book me instead. Thanks to both Mike and Orville for omitting the nearly 30 minutes I spent detailing how i survived an entire Juliette Lewis & The Licks performance — in retrospect, it really wasn’t that interesting.

03.13.18

If You Happen To Find Yourself In The Alleged Live Music Capital Of The World This Mid-March (2018 Edition)

Posted in 12XU, Austin, Internal Affairs, Rock Und Roll, South By Suck Off at 12:26 pm by

Once upon a time, cantstopthebleeding.com was one of the nation’s top sports blogeterria (blogoterrarium? blogtoxcity?) destinations, appealing to the friendless and socially challenged and/or persons hungry for LOTS & LOTS RECRIMINATIONS. As the nu media wars wore down, the site retreated into near dormancy, maintained by an automated system devised by the same brilliant minds behind Do512 the Atari Jaguar

I’m not sure how familiar you are with the phenomena of “artifical intelligence”, but about 10 years ago the cyborg in question began organizing an annual free show in the middle of March at a respected Red River venue. From day one the event was sponsor free and impervious to the crony-heavy network of booking agents, garbage labels and the like. In short, it made no sense whatsoever but since the bill is always super hot and there’s no cover, hardly anyone complains.

So what happens when one of the region’s most self-important “underground” labels joins forces with a near-dormant sports blog to present an evening of free music in the middle of a trade-fair clusterfuck? If you’ve been paying attention for the last decade, you already know the answer to that question : sick lineup + lower percentage of jagbaggery than you’ll encounter in the rest of the neighborhood (until Sunday, anyway). Action starts early, no smurf by smurfette credentials required (free counseling for anyone with a Burgermania wristband, however).

9pm – TV’s Daniel
9:50pm – Tom Carter
10:30pm – Borzoi
1:10 : Bodega
midnight : Xetas
12:50 – Obnox

01.21.18

History’s Most Questionable eBay Auctions, Pt. XXXI

Posted in consumer affairs, record collector disease at 1:55 pm by

1)Designed to fit standardized bath tubs
2)Prevent water from splashing out of the shower stall
3)Environmentally friendly
4)Soft and comfortable handing feeling
5)Machine wash cold. Do not bleach or tumble dry
6)Fitted with C-shaped curtain hooks
7)Has 12 holes to which rings attach
8)Measures approximately  60″(w) x 72″(h)  66″(w) x 72″(h)

12.22.17

The Year In Prerecorded (And Live) Entertainment : CSTB’s Best Of 2017 (In Non-Slideshow Form)

Posted in record collector disease, Rock Und Roll at 1:39 pm by

(Editor’s Note : A panel of exactly one brilliant person was convened to compile the list shown below ; perhaps CSTB’s former contributors have some opinions on these matters, but frankly, they can continue spending their afternoons slaving for the oligarchs (until I need their help with something, anyway). Perhaps one of the fledgling outlets they’re writing for is eager to publish an essay about which public apologies aren’t sufficiently apologetic (and who’d have thought Vince Coleman’s would come off relatively well, in retrospect?)

As in past years, projects from labels that either pay the CSTB bandwidth bill or directly contribute to the growing neglect of CSTB are ineligible. A version of this list was previously published elsewhere. If you’re seeing it for the second time today, boo fucking hoo – GC)

Weather Weapon – Weather Weapon II (bandcamp)
ISS – Endless Pussyfooting (Erste Theke Tontraeger)

Michael Beach – Gravity / Repulsion (Spectacular Commodity)
Mdou Moctar – Sousoume Tamachek (Sahel Sounds)
Mordecai – Abstract Recipe (Richie)
Contributors – s/t (Monofonus Press)
Heavy Metal – LP 2 – Smash Criticism Smash Optimism Smash Arachnophobia (Static Age)

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Heavy Metal – LP 3 – The Nietzschean Supermen Of Dustbin Rock (Harbinger Sound)
David Nance – Negative Boogie (Ba Da Bing)

Headroom – Head In The Clouds (Trouble In Mind)

Fully Glazed – ‘OD Catastrophe’ (The Loki Label)
Institute – Subordination (Sacred Bones)
Protomartyr – Relatives In Descent (Domino)
Sleaford Mods – English Tapas (Rough Trade)
Endless Boogie – Vibe Killer (No Quarter)
US Weekly – s/t (Night Moves)
Various- Tokyo Flashback (Black Editions)
Spectre Folk – Vol. 4 (Vampire Blues)
Impalers – Cellar Dweller (540)
Golden Pelicans – Disciples Of Blood (Goner)
Obnox – Murder Radio (ever/never)

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Mazoma – Heavy Death Head (Feeding Tube)
Shit and Shine – Some People Really Know How To Live (Editions Mego)
The Weather Station – s/t (Paradise Of Bachelors)
Ted Leo – The Hanged Man (TL/RX)
Haram – When You Have Won, You Have Lost (La Vida Es Un Mus Discos)
Snakehole – s/t (Wharf Cat)

David Keenan – This Is Memorial Device : An Hallucinated Oral History of the Post-Punk Music Scene in Airdrie, Coatbridge and Environs 1978–1986 (Faber & Faber)

live :
Sir Richard Bishop, Tom Carter, Robert Millis, Jad Fair, Hotel Vegas, May
Peter Bröntzmann/Heather Leigh, Issue Project Room, June

Joe McPhee, Tashi Dorji, M. Geddas Gengras, Alphaville, June
Tyvek, Rays, 1-2-3-4-Go, February

Life Stinks, The World, The Nightlight, February
Wire, Baby’s Alright, September
Les Filles de Illighadad , Cafe Oto, April
Consumer Electronics, Barracuda, March
Power Trip, Mohawk, March
David Nance, Beerland, October

Feedtime, Hi-Tone, September

11.25.17

Tommy Keene, 1958-2017

Posted in record collector disease, Rock Und Roll at 4:13 pm by


Tommy Keene was an astonishingly great songwriter, a wildly inventive guitarist in a rock/pop sphere that was often anything but, and a guy who shrugged off myriad showbiz false starts / car crashes and proceeded to make his best records well into his 5th decade as a pro.

Also — a genuinely sweet, super funny, smart fella who had all kinds of time for his friends & nutcase fans alike (and those camps had some overlap). godfuckingdamn the world is way less fun without him. Hugs of the real and we’ll-catch-up-someday variety to everyone who knows what I’m talking about.

I was lucky to enough to see Tommy and his crack ensemble of DC-based players (including Dischord credits-staple Ted Nicely) for the first time at Kenmore Square’s Storyville in 1983, tipped off by an earlier New York Rocker review of his Avenue Records debut 7″, “Back To Zero Now”. He was unfailingly patient with my annoying questions and for that he was rewarded with another 34 + plus years of annoying questions, occasionally punctured with me making a hash of trying to put his records into the hands of people who’d get it. Through his recordings for labels including but not limited to Dolphin, Geffen, Matador and Second Motion, Tommy’s songbook is impossible not to get lost in, and while I mean no disrespect to those who typify his work as power-pop, Tommy’s guitar playing and ability to give even his catchiest songs an undercurrent of melancholy transcended genre. Though his days making cameos in Anthony Michael-Hall star vehicles or playing alongside Paul Westerberg on Letterman were decades in the rear-view mirror, his final 3 studio albums, ‘Laugh In The Dark’ (2015), ‘Behind The Parade’ (2013) and ‘In The Late Bright’ (2011) were his finest work. If you wanna disagree with me, that’s cool, but you’ve got to hear those records first, otherwise your opinion is uninformed and you don’t wanna mope around with uninformed opinions at a time like this.