History’s Most Questionable eBay Auctions, Pt. XXXI

Posted in consumer affairs, record collector disease at 1:55 pm by

1)Designed to fit standardized bath tubs
2)Prevent water from splashing out of the shower stall
3)Environmentally friendly
4)Soft and comfortable handing feeling
5)Machine wash cold. Do not bleach or tumble dry
6)Fitted with C-shaped curtain hooks
7)Has 12 holes to which rings attach
8)Measures approximately  60″(w) x 72″(h)  66″(w) x 72″(h)


The Year In Prerecorded (And Live) Entertainment : CSTB’s Best Of 2017 (In Non-Slideshow Form)

Posted in record collector disease, Rock Und Roll at 1:39 pm by

(Editor’s Note : A panel of exactly one brilliant person was convened to compile the list shown below ; perhaps CSTB’s former contributors have some opinions on these matters, but frankly, they can continue spending their afternoons slaving for the oligarchs (until I need their help with something, anyway). Perhaps one of the fledgling outlets they’re writing for is eager to publish an essay about which public apologies aren’t sufficiently apologetic (and who’d have thought Vince Coleman’s would come off relatively well, in retrospect?)

As in past years, projects from labels that either pay the CSTB bandwidth bill or directly contribute to the growing neglect of CSTB are ineligible. A version of this list was previously published elsewhere. If you’re seeing it for the second time today, boo fucking hoo – GC)

Weather Weapon – Weather Weapon II (bandcamp)
ISS – Endless Pussyfooting (Erste Theke Tontraeger)

Michael Beach – Gravity / Repulsion (Spectacular Commodity)
Mdou Moctar – Sousoume Tamachek (Sahel Sounds)
Mordecai – Abstract Recipe (Richie)
Contributors – s/t (Monofonus Press)
Heavy Metal – LP 2 – Smash Criticism Smash Optimism Smash Arachnophobia (Static Age)


Heavy Metal – LP 3 – The Nietzschean Supermen Of Dustbin Rock (Harbinger Sound)
David Nance – Negative Boogie (Ba Da Bing)

Headroom – Head In The Clouds (Trouble In Mind)

Fully Glazed – ‘OD Catastrophe’ (The Loki Label)
Institute – Subordination (Sacred Bones)
Protomartyr – Relatives In Descent (Domino)
Sleaford Mods – English Tapas (Rough Trade)
Endless Boogie – Vibe Killer (No Quarter)
US Weekly – s/t (Night Moves)
Various- Tokyo Flashback (Black Editions)
Spectre Folk – Vol. 4 (Vampire Blues)
Impalers – Cellar Dweller (540)
Golden Pelicans – Disciples Of Blood (Goner)
Obnox – Murder Radio (ever/never)


Mazoma – Heavy Death Head (Feeding Tube)
Shit and Shine – Some People Really Know How To Live (Editions Mego)
The Weather Station – s/t (Paradise Of Bachelors)
Ted Leo – The Hanged Man (TL/RX)
Haram – When You Have Won, You Have Lost (La Vida Es Un Mus Discos)
Snakehole – s/t (Wharf Cat)

David Keenan – This Is Memorial Device : An Hallucinated Oral History of the Post-Punk Music Scene in Airdrie, Coatbridge and Environs 1978–1986 (Faber & Faber)

live :
Sir Richard Bishop, Tom Carter, Robert Millis, Jad Fair, Hotel Vegas, May
Peter Bröntzmann/Heather Leigh, Issue Project Room, June

Joe McPhee, Tashi Dorji, M. Geddas Gengras, Alphaville, June
Tyvek, Rays, 1-2-3-4-Go, February

Life Stinks, The World, The Nightlight, February
Wire, Baby’s Alright, September
Les Filles de Illighadad , Cafe Oto, April
Consumer Electronics, Barracuda, March
Power Trip, Mohawk, March
David Nance, Beerland, October

Feedtime, Hi-Tone, September


Tommy Keene, 1958-2017

Posted in record collector disease, Rock Und Roll at 4:13 pm by

Tommy Keene was an astonishingly great songwriter, a wildly inventive guitarist in a rock/pop sphere that was often anything but, and a guy who shrugged off myriad showbiz false starts / car crashes and proceeded to make his best records well into his 5th decade as a pro.

Also — a genuinely sweet, super funny, smart fella who had all kinds of time for his friends & nutcase fans alike (and those camps had some overlap). godfuckingdamn the world is way less fun without him. Hugs of the real and we’ll-catch-up-someday variety to everyone who knows what I’m talking about.

I was lucky to enough to see Tommy and his crack ensemble of DC-based players (including Dischord credits-staple Ted Nicely) for the first time at Kenmore Square’s Storyville in 1983, tipped off by an earlier New York Rocker review of his Avenue Records debut 7″, “Back To Zero Now”. He was unfailingly patient with my annoying questions and for that he was rewarded with another 34 + plus years of annoying questions, occasionally punctured with me making a hash of trying to put his records into the hands of people who’d get it. Through his recordings for labels including but not limited to Dolphin, Geffen, Matador and Second Motion, Tommy’s songbook is impossible not to get lost in, and while I mean no disrespect to those who typify his work as power-pop, Tommy’s guitar playing and ability to give even his catchiest songs an undercurrent of melancholy transcended genre. Though his days making cameos in Anthony Michael-Hall star vehicles or playing alongside Paul Westerberg on Letterman were decades in the rear-view mirror, his final 3 studio albums, ‘Laugh In The Dark’ (2015), ‘Behind The Parade’ (2013) and ‘In The Late Bright’ (2011) were his finest work. If you wanna disagree with me, that’s cool, but you’ve got to hear those records first, otherwise your opinion is uninformed and you don’t wanna mope around with uninformed opinions at a time like this.


A (Prolonged) Toast (Or Several) To Venues That Book The Unbookable

Posted in Rock Und Roll, The World Of Entertainment at 7:20 pm by

(miniature James Arthur’s Manhunt, Buccaneer Lounge, September 2013)

Sunday morning’s fire at Memphis, TN previously-shuttered Buccaneer Lounge — an establishment I only staggered thru a handful of times — resulted in no small outpouring of social media nostalgia. Photos of late nights at the Bucc w/ all measures of killer global talent (at past Goner Fests and otherwise) have popped up throughout the last two days, and they’re all a vivid reminder that some of the most exciting musical moments of our lives take place in cramped conditions, very often without a proper P.A., “stage” lighting (or a stage for that matter) and few of the creature comforts more casual audiences might associate with anything they’d wanna experience. And that’s their loss.

And eventually, ours, too. Because as similar venues bite the dust (fewer via arson, I reckon but maybe for another spectacular stroke of bad luck) we lose something far greater than just another floor / toilet / bar that (hopefully) over-pours. The stuff that ultimately blows minds, changes lives and lays waste to the form book rarely gets started in a C3 or Bowery Presents or Goldenvoice setting (not in recent years for G.V anyway). And the purpose of this post isn’t to trash those companies or the lovely people who toil for them — I’m just saying there’s a lot of amazing stuff doesn’t gonna get off the ground without some version of the Buccaneer because it’s always gonna be the places of that nature that give the newer or more idiosyncratic players a first, second or third chance.

That’s not to say a bar with an air freshener or a well-lit exit sign is the enemy of art or anything of the sort. But much the way Austin’s Trailer Space was mourned (IE. DON’T CALL IT AN INCUBATOR BECAUSE INCUBATORS ARE FOR INFANTS AND YOU REALLY WOULDN’T WANT INFANTS IN ANY OF THESE PLACES), all the real estate angels and nuevo Star Searchers cannot replace one good party. If you’ve got anything like-minded happening in your town, don’t wait until they’re giving away the fixtures to soak up what’s on offer.

Coming November 17 – The Golden Boys ‘ ‘Better Than Good Times’ (12XU 099-1)

Posted in General at 5:39 pm by

(photo by Angela Betancourt)

The Golden Boys – Better Than Good Times (12XU 099-1) preorder from 12XU or Bandcamp

Once upon a time in Spring Branch, TX  five legends went back to the future and formed THE GOLDEN BOYS.  Created after a long drive in a pickup truck with a 12 pack of beer, founding members James Arthur (Fireworks, Necessary Evils, Feast Of Snakes) and Matt Hoopengardner (White Heat) sat on the edge of a cliff staring at the sunset. Soon after, extreme super hobo John Wesley Coleman III rode up on a wild coyote named FIRE DEMON. The group quickly formed a solid nexus and foundation for the Texas psyche blues texas rock texas jam texas pop ETC

After much whiskey on the basement floor, Nay Nay (Kackacka Butt Bomb) and Bryan Schmitz (Manhunt, Feast Of Snakes) appeared in a powdery puff, followed shortly after by the verdant recruit, Philly Pat Troxell (Creepoid, Plaque Marks). After multiple years toiling in obscurity alongside the Spider Bags and Strange Boys, the Golden Boys were saved by international playboy and The Gospel Truth’s founding member, Patrick Travis.

Coming 5 years after the acclaimed, ‘Dirty Fingernails’, this is the band’s 6th album.  No one thought it could be done (and no one cared) until Gerard Cosloy asked, “Hey, are you guys making another record?”, to which The Golden Boys replied, “will you buy us some Texas Chili Parlor?” He said, “yes” (EDITOR’S NOTE : I do not remember this conversation)

Stuart Sikes (Loretta Lynn, Manhunt, A Giant Dog, Grifters) presided over the remarkable recordings.  So here we are, with our newest and our best.  Better than ever. Better than good times.

The Golden Boys are :
Nay Nay Arbeitman
Matt Hoopengardner
Patrick Travis
John Wesley Coleman III
Bryan Schmitz

Recorded and mixed by Stuart Sikes at Iggy’s Putt Putt Palace
Mastered by Matthew Barnhart at Chicago Mastering Service

prior praise for ‘Dirty Fingernails’ :

“a brilliant ability to suss out that ineffable quality that makes no-bullshit rock & roll so fun and so vital, and in the process they hold up garage-this and punk-that for the meaningless terms that they ultimately are.’ – Nate Knabel, Agitreader

“played with a swollen heart and clenched-fist determination…a killer group at the height of their powers.” – Doug Mosurock, Still Single

“anthemic hits that are guaranteed to stick in your head for days..an instant classic.” – Mark Twistworthy, Razorcake

“Punk in spirit, rifling through dirty R&B, outlaw country, and vintage pop, Austin’s the Golden Boys embody every great idiom of rock & roll” – Austin Powell, Austin


Coming September 15 : Spray Paint & Ben Mackie – “Friendly Moving Man” b/w “Dumpster Buddies” 7″

Posted in 12XU, Austin, Internal Affairs at 11:31 am by

Scattered to the separate winds of the USA, Mexico and Australia, Austin’s Spray Paint reconvened earlier this year and teamed up with ENTITLED TOURIST #1 aka vocalist Ben Mackie of Melbourne destruction crüe CUNTZ. The resulting two song 7″, “Friendly Moving Man” b/w “Dumpster Buddies” will be released on 12XU September 15 in a limited (BUT NOT LIMITED ENOUGH, IF YOU KNOW WHAT I MEAN) quantity. Meetings of the musical minds of this caliber don’t happen that often and if you’ve never stay awake at night wondering just what this pairing might sound like, what in blazes is going on in that brain of yours in the darkness? It’s at times like these that I thank fucking god I’m not a mind reader because if I had the first clue what you’re really thinking, there’s every chance I’d either call the cops or volunteer for the space program.


Is There A New(er) New Movement? It’s True, It’s Damn (Chris) Trew

Posted in Austin, Professional Wrestling at 10:51 pm by

Apologies for the above headline but the real feelings of deep, unabated sorrow will be all yours if you fail to attend this Sunday’s Inspire Pro Wrestling, “A Hero Never Dies” card at the Austin Sports Center. Good seats are still available (terrible seats, too!)