CSTB’s affiliate under the Cumbucket Media umbrella, 12XU, is releasing a label compilation LP to mark Record Store Day 2012. Bring Beer (12XU 036-1) includes 15 new recordings from Cruddy, The Golden Boys, Chris Brokaw, James Arthur’s Manhunt, The Flesh Lights, Naw Dude, Carolee, Marriage, Philip Sambol, Followed By Static, Nazi Gold, G.Green, Rhett And Dean and hotly tipped rape gaze duo Air Traffic Controllers. All profits from this exercise are earmarked for Austin, TX’s Trailer Space Records, a combination record store/clubhouse/rehearsal space/all-ages venue whose smoke-filled ambiance is in stark contrast to many of the nation’s other indie retailers, some of whom seem fixated on action figures, nesting dolls and bacon flavored-mints. I have nothing against action figures, nesting dolls or bacon flavored-mints. But I am by nature, very sympathetic to those record stores who actually care about evangelizing, pushing and playing quality music, and try hard to cater to my degenerate brothers and sisters who prioritize the hunting and gathering over all other pursuits. Not just on Record Store Day, but all the goddamned time. This record isn’t for the voyeurs and ambulance chasers, it’s for the rest of us who actually give a fuck.
I’m pretty happy with ‘Bring Beer”s musical contents, but it’s less about promoting the label (for starter’s that’s hopeless, also, a number of the bands do not record for 12XU) and more to do with offering something fun on RSD for those of us who don’t give a fuck about 311 singles or reissues of ancient records we could just as easily find in the used bin for a fraction of the price.
Given that this comp. directly addresses the near-extinction of stores like Trailer Space, I was hopeful the folks at Record Store Day would be kind enough to include the album in their official listings. No such luck. An RSD representative, though exceedingly polite, let me know that deadlines had long expired for such an inclusion, despite the fact 12XU’s distributors have been soliciting this title for some time.
I’m not suggestion for a moment that RSD has a vested interest in ignoring stores like Trailer Space, or that 12XU’s lowly status on the rock biz totem pole had anything to do with the comp. being ignored in favor of countless other bullshit releases. I mean, rules are rules, right? What kind of society are we living in if rules aren’t observed, 100% of time, regardless of the common good? What possible harm would it have done what’s left of the music industy or RSD’s participating stores if ‘Bring Beer’ had been listed, even as late as today, tomorrow or Monday? A store might think of ordering it? Persons scanning RSD’s official list might be compelled to look for it? That would be catastrophic, and RSD’s unwillingness to budge from their stated policy is completely understandable. I wish their entire organization the best of luck on April 21, and shall in the future try to remember that their time and energy is a thousand times more valuable than mine or that of the bands who contributed to ‘Bring Beer’.
As for Trailer Space, well, it would appear Spot Long is not on RSD’s radar. That his store plays a more active, get-your-hands-dirty role in supporting the creative community than anyone else in a region that’s allegedly a hotbed for musical growth, apparently counts for nothing. If that bothers you, even just a little bit, please visit the place whatever day you feel like it. Trailer Space will have ‘Bring Beer’ on their shelves Saturday, April 21, as will Austin’s End Of An Ear, Austin’s Waterloo Records, New Orleans’ Euclid Records, Memphis’ Goner Records, Chicago’s Permanent Records and Eagle Rock, CA’s Permanent as well. Probably a few other stores, too.
I know our household would be proud to support this comp.
You should’ve re-titled it 180 GRAM TOM PETTY REISSUE; they would’ve been all over it.
Tom.
Charlottle, NC’s Lunchbox Records has compiled a pretty good list of other titles that didn’t make RSD’s website.
It wasn’t deemed inappropriate, it was deemed late. Out of respect to ALL the participating Record Store Day stores, we do not add things to our public site that we haven’t first given the stores a heads up about. That policy applies all year long, and also to our official list of titles, which we’ve told the stores is final. Friday evening, one week before Record Store Day was the first we were told about this release, although i understand it’s been worked on for months, and that is too late to add to the list. If there is a way to collect and confirm the details on every title, all the events, and all promotional opportunites, and get that out to over 700 stores in a way they can use, without having deadlines, we don’t know about it. We wished you luck with this release, and we meant it. As we said in our email to you, we sincerely hope it sells well, and does a lot of good for Trailer Space and the bands who participated in its creation.
yes, indeed, Carrie, you were very gracious in wishing us luck. Not so gracious that you couldn’t have included the title in question, but given the space considerations of promoting the likes of Taking Back Sunday, I can understand how it would tough to squeeze something like ‘Bring Beer’ onto your website.
“Out of respect to ALL the participating Record Store Day stores, we do not add things to our public site that we haven’t first given the stores a heads up about.”
Hey, who doesn’t believe in R-E-S-P-E-C-T? I think that’s a tremendous policy, and if you’re offering at this late date to give your stores a heads-up about ‘Bring Beer’ (or perhaps some of the other titles on Lunchbox’s well compiled list of releases RSD has yet to mention to retailers) and then include the comp. on your public site, damn, that would be very helpful.
And you’re absolutely correct — it would be an impossible task to compile all the details about every release under the sun and circulate said information efficiently. However, in this instance, you’ve been supplied with a plethora of information, the names of 3 distributors and contact information for the label in question. AND RECORD STORE DAY ™ ISN’T FOR ANOTHER 5 DAYS.
Communicating with 700 stores sounds like a total clusterfuck. I’m certain there is absolutely no connection between RSD’s stubbornness on this point and the fact that ‘Bring Beer’ is designed to raise awareness and funds for a store that isn’t one of those 700.. After all, you’re wishing them luck!
12XU, you are better off without Record Store Day. Besides Amoeba and the larger chains, every small store I know gets zeroed out of the best titles. Its turned into the same corporate greed that has been the demise of the recording industry for years: Create a limited edition title, slap a ridiculous price tag on it, watch record store nerd/pseudo fan put title up on ebay hours later and let the bidding begin. I buy records 364 days out of the year, but never on April 21st.
Parker,
in this instance, I tried to put together a good looking-sounding album of previously unreleased material at a fair price (it’s gonna sell for about $12-13 locally). And we made enough of ’em that flippers are bound to be disappointed. I’m totally aware this record isn’t nearly as sexy to the average fan/retail buyer as most of the titles RSD has highlighted, but fuck it, it’s not hyperbole to say there’s more than a half dozen stores that would be interested in new material from Chris Brokaw, Cruddy, James Arthur’s Manhunt, The Flesh Lights, The Golden Boys, etc.
I will gladly buy this on April 21st at Trailer Space, which I find to be the most refreshing retail establishment, well, just about anywhere…